Samedi 7 avril 2012 6 07 /04 /Avr /2012 18:37

cc522087.jpg Andy Warhol and Bob Dylan 2 image by lovelarry_4ever

"Warhol is a cultural figure, but not an artist." Bob Dylan



Andy Warhol demande à Bob Dylan de rester immobile 8 minutes dans un fauteuil et filme son visage en gros plan — magnifique plan : tout comprendre, fort comme du Bacon — ensuite ils parlent, et Warhol donne à Dylan un de ses « double Elvis » géants en soie — comme ensuite on a un peu bu et que Dylan est avec Neuwirth en voiture, ils accrochent le Elvis à l’antenne de la bagnole en se demandant qui c’est ce tapé qui l’a filmé comme ça — en arrivant à Woodstock chez Grossman, il échange le Elvis contre un canapé : il a plus besoin du canapé que de Warhol — Sally Grossman le revendra 235 000 dollars quelques années plus tard.



The following clipping fell out of a book of essays about Bob. Given the recent references to Warhol and Edi, I've copied it completely, for the amusement of this list. It was headlined "Village '65 Revisited", from the Village Voice, July 27, 1982:

"Dear Editor:

"I first met Edie Sedgwick in 1965 when Andy Warhol was making a film of my play _The Bed_ which had been having a stage-run at Caffe Cino. After a successful screening at the Cinemateque on 41st Street, there followed a quarrel with FuFu Smith, the producer, about who owned the film. Andy put _The Bed_ into his sceret vault though he later spliced portions of it inot _Chelsea Girls_.

"During this period I conferred with Andy about writing _The Death of Lupe Velez_ for Edie who was anxious to play the role of the "Mexican Spitfire," found dead in her Hollywood hacienda with her head in a toilet bowl. I met Edie at the Kettle of Fish on MacDougal Street to talk over the project. When I got there Edie was at a table with a fuzzy-haired blond Bob Dylan whose shiny black limousine was parked outside. I mentioned the script I was working on and Edie said innocently, "Oh, we already filmed that this afternoon. It's in the can ... in Technicolor." Nothing more was said when Andy arrived, although he did astonish me that evening by asking, "When do you think Edie will commit suicide? I hope she lets me know so I can film it."

"Dylan turned up at the silver factory that same week for a filmed portrait by Andy -- a 15-minute sutdy in stillness, silence, and emptiness. Dylan decided his payment would be a giant Warhol silk-screened canvas of Elvis Presley in cowboy attire firing a revolver. Andy was livid when he saw Dylan taking his "payment" though he opted for cool silence. Mr. Tambourine Man did not sit for nothing."

-- Robert Heide
Christopher Street

 

 

 





Bob Dylan seems to be relishing his role as Favourite Elderly Wank Fantasy Of Middle-Aged Rock Critics, because it's giving him the chance to speak out on anything he wants to, like how unutterably rubbish the new Sienna Miller filmFactor Girl looks.

To be fair to Bob Dylan, he isn't angry at Factory Girl because it looks like the most horribly ill-conceived and transparent attempt at an Oscar-worthy film that's been made in years, or because all sensible people would rather staple their eyes closed and run through a minefield than watch a Sienna Miller film. Instead, Bob Dylan is angry because there's a character in the forthcoming movie played by Hayden Christensen who a) is very obviously meant to be Bob Dylan and b) is indirectly responsible for the main character's suicide. And Bob Dylan is so angry with Factory Girl that he wants to stop the film being released at all.

 

Bob Dylan hasn't been as popular as he is now for decades. His last record went to number one around the world, he's got his very own Bob Dylan radio show and his old poems sell for thousands of dollars at auction. This new position of fame means that Bob Dylan can do whatever the hell he wants, like slag off all modern music – and even try to get major films blocked. Factory Girl – a biopic of Andy Warhol's favourite drug-twatted party ninny Edie Sedgwick – is supposed to be coming out at the end of the month, but not if Bob Dylan gets his way

In real life, Bob Dylan and Edie Sedgwick are thought to have had some kind of affair. But in Factory Girl, Edie Sedgwick tops herself on drugs after breaking up with Danny Quinn, a character who couldn't be any more like Bob Dylan if a character based on Martin Scorsese followed him around licking his arse all the time. And as far as Bob Dylan is concerned, that's defamation. Dylan's lawyerOrin Snyderr says:

"You appear to be labouring under the misunderstanding that merely changing the name of a character or making him a purported fictional composite will immunise you from a suit. That is not so. Even though Mr Dylan's name is not used, the portrayal remains both defamatory and a violation of Mr Dylan's right of publicity. Until we are given an opportunity to view the film, we hereby demand that all distribution and screenings immediately be ceased."

Shame Bob Dylan didn't use this right to block a release when he let someone make a modern dance-interpreted musical based on his songs too, really. There hasn't been an official response from the makers of Factory Girl, but we'd imagine that Hayden Christensen – who plays the Bob Dylan character – would probably respond by looking at the sky and shouting "Nooooooo!" because he was in a film where he did that once.

For a supposedly Oscar-worthy movie, Factory Girl isn't having the best of times. As well as potentially being stomped into dust by Bob Dylan's mighty boot, Lou Reed – who is played by one of Weezer in Factory Girl – has given this review to The New York Daily News:

"I read that script. It's one of the most disgusting, foul things I've seen – by any illiterate retard – in a long time." 

Not really Sienna Miller's day, is it? First she says a lot of dumb shit in a magazine and now this. And we thought Sienna had it bad when Captain Combover did it with the nanny.

(hecklerspray)



 

Dylan threatens action over Sedgwick biopic

Bob Dylan is attempting to block the release of an Edie Sedgwick biopic in a row over his role in the pop icon's death. Sedgwick, a muse of Andy Warhol, died aged 28 from an overdose of barbituates in 1971. It is believed that the film implies that the singer was indirectly responsible for her suicide.

Dylan has written to the producers of Factory Girl, demanding that the film not be released until he has determined whether or not it defames him. The picture is due to open on a limited release in the US on December 29.

Sedgwick befriended Dylan in the late-60s and the pair are believed to have had an affair. While Factory Girl is thought to detail the break-up of this relationship and its negative effect on Sedgwick, who became addicted to heroin, the film does not actually mention Dylan by name.

Orin Snyder, the singer's lawyer, claims the original script did name Dylan. The final version changes the name of his character to "Danny Quinn", although Snyder insists that this is merely window dressing.

Speaking to the New York Post, Snyder warned: "You appear to be labouring under the misunderstanding that merely changing the name of a character or making him a purported fictional composite will immunise you from a suit. That is not so. Even though Mr Dylan's name is not used, the portrayal remains both defamatory and a violation of Mr Dylan's right of publicity. Until we are given an opportunity to view the film, we hereby demand that all distribution and screenings immediately be ceased."

Factory Girl stars Sienna Miller as Sedgwick, Guy Pearce as Warhol and Hayden Christensen as "Danny Quinn".

Elsewhere, the film has also drawn the ire of former Velvet Underground frontman Lou Reed, who is played in the film by Weezer singer Brian Bell. "I read that script," Reed confided to the New York Daily News. "It's one of the most disgusting, foul things I've seen - by any illiterate retard - in a long time."

 









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